
The small Tuscan town of Lucca is home to a summer music festival. With acts such as David Bowie and Eric Clapton previously playing in Piazza Napoleone, the main square within the medieval city walls, I was glad to hear that one of my stays in Lucca would coincide with Lenny Kravitz performing as part of the 2009 line up.
Although I have never been a huge follower of his music, the hits of Lenny Kravitz have always managed to get my rock on, and his star magnetism has not gone unnoticed. So I was excited with anticipation when I managed to get tickets for his gig a few days before, and at a reasonable cost too. The ritual I have of picking my favourite tracks that an artist has to play for me to go home really happy at the end of the gig resulted with Where Are We Running at the top of the list.
I was interested to see how Lucca was going to block off the concert area, knowing that at least six roads led onto the open square. So I headed to Piazza Napoleone during the day, and even then the stage looked impressive. I wandered how early I would have to go there to get a good spot near the front. Vaguely remembering I had read that Lenny Kravtiz was on at 2130, the support act Alain Clark was due to start at 2030, and doors were at 1930, I thought getting there when it opened would suffice. The only thing written in English on my ticket was that it was forbidden to take photos, videos, or audio recordings during the concert. It was then surprising when I arrived at the ticketing gates and walked straight through, with only a rip of my ticket, and no airport style security as with events in London these days. Even bags were not being checked.
Towards the front of the stage about a hundred people had congregated before me. Some were standing, some were sitting, many were eating pizza from a side stall, and only a few were drinking alcohol (whereas gig goers in the UK would have foregone the food and concentrated on the booze). I found a spot right in the middle of the stage, about four or five people back from the front. I was surrounded by Italians, mostly in their twenties. Given USA’s occupation of Firenze not too far away (see previous blog entry), I presumed more Americans would be at the gig. Perhaps the train strike also taking place that evening had put them off travelling to a place that they could not have got back home to.
Waiting for the gig to commence, I started thinking about how hot it would get when everybody would be jumping to the sounds of Lenny Kravitz, being right in the heart of the sweltering, sweaty mosh pit. Whether a good or bad thing, it would just be part of the great experience of going to an outdoor festival in Italy, under the hot summery Tuscan sun. When the support act promptly came on, there was no immediate push forward within the crowd. Those that were seated got up but everyone stayed in the same positions that they had been for the hour waiting beforehand. I thought that maybe Alain Clark was not very popular. I had only heard of the artist because of seeing a song him and his father sing being played on Italian MTV a few times over the past month. Throughout the opening gig, the Italian girls in the crowd seemed more interested in the tall Dutch blond male band members than in Alain Clark or his music, but when his father came on stage for the penultimate song (and the only one I recognised), he was warmly welcomed.
Given Italian train delays I have to cope with on an almost daily basis, I was amazed that the man himself, Lenny Kravitz, punctually made it on stage as scheduled. I was however, even more amazed that the crowd stayed in their places, everybody still had their perfect personal space bubbles around them, and there was no sign off people pushing and shoving each other to get closer to the midget rock god on stage. I say midget because Lenny Kravitz was far shorter than I ever imagined he would be.
Everybody seemed to be enjoying the concert but there was not too much sound from the crowd. I would say about three quarters of the people around me had their phones or cameras out, taking photos of Lenny Kravitz. After the first couple songs I thought it was strange that these people still had their arms in the air, continually filming the gig. When my favourite song started to play four tracks into the set and I was dancing, jumping, and singing harder, higher, and louder than ever, I got annoyed by the people surrounding me and wondered why they didn’t just watch the spectacular show that was right in front of their eyes, rather than through their small screen filming devices.
The crowd push finally came when Lenny Kravitz took the professional photographer’s camera from the side of the stage and stepped down into the area in front of the crowd to take photos of the audience. I suddenly found myself in the second row and I couldn’t help myself from sticking my hand out to touch the man himself as he walked past. I finally felt like I was at a gig and there was a rock star on stage but when Lenny Kravitz scrambled back up, the crowd push was over. I thought that seeing I was so near the front I would stay there, but the people around me did not like my presence, a foreigner in a neighbourhood where everyone had gotten to know each other. I looked around to find everyone else had reverted to the exact same positions before the surge to get close to Lenny Kravitz off stage. After a couple of comments and evil glares, I decided to show those around me what it was like to be in a gig elsewhere in the world. I screamed the words to the songs into the ears of those in front of me, and I danced with my elbows out to nudge those to the side of me for the rest of the gig, and enjoyed myself even more for it, with the desired effect of annoying others. During the chorus of one of the hit encore songs, when I accidentally (and it really was accidental) made the guy behind me drop his camera because I had stuck my hands up in the air gently knocking his, I could not stop myself from hoping that his camera was broken and he had wasted the last two and a half hours of his life filming rather than watching the gig. As I have not been to a big name event anywhere in recent years, I am wondering whether filming is what people do these days, or whether it was just this Italian crowd missing out on the whole experience of seeing the performance in front of their own eyes.
It was far from the best concert I had ever been to, but it was certainly a night to remember. Oddly, the smile on my face that evening beamed brightest after the gig when I realised I was actually walking home (home being the apartment I was staying in) without having to take a packed bus and or train travelling across a large city, and that I would be curled up in bed within ten minutes.